Learning to Play the Basses on Irish B/C Button Accordion

Saltarelle Irish Bouebe
When I started learning to play the basses on my B/C box, I found it hard to find such information anywhere, so I hope these transcriptions will be useful to other B/C players who are taking on the challenge of learning the basses.

In these transcriptions, I am not attempting to teach how to backup traditional Irish music. That is an entirely different skill than the physical challenge of dealing with the basses themselves.

My assumption is that you already are playing the tune melodies on the treble side of your instrument and are looking to learn to include the bass and chord buttons in your playing. I also assume that to extend these skills to other tunes not in this collection, you either already know how to determine the appropriate backup chords from the melody or are willing to learn bass/chord arrangements by rote as a starting point.

My particular chord selections may be a reasonable starting point for learning the skill of backing Irish traditional music, but that is not the primary goal of these transcriptions. To learn how to backup tunes, I suggest checking out Dr. Chris Smith's fantastic book "Celtic Backup for All Instrumentalists", available on Amazon from Mel Bay.

While there are multiple possible approaches to playing the bass and chords, my preferred pattern for reels, hornpipes, and barndances is to play the bass buttons only on a chord change, and the chord buttons only on the offbeats.

For jigs, I play the bass buttons only on a chord change, and the chord buttons on the 3 and 6 (assuming counting jigs with 6 beats per measure).

For slides, I play the bass buttons only on a chord change, and the chord buttons on the 3, 6, 9, and 12 (assuming counting slides with 12 beats per measure).

Some players, such as John Whelan, I believe influenced by older style players they learned from originally, also play the bass buttons on the every downbeat as well, not just on chord changes as in my preferred patterns. Having the flexibility and skill to vary your bass and chord patterns is a useful skill to practice, nothing is set in stone, so play around with all the possibilities!

For waltzes, I'm using a conventional bass-chord-chord pattern.

In these transcriptions, I indicate pressing the bass button with an uppercase letter above the staff and the chord button with a lowercase letter above the staff.

Additionally, I also assume you have the thirds removed from the chords either with a stop on the bass side or by taping off the thirds on the reed block.

To help you get started, I've also color-coded the bellows direction for a couple of the tunes:

(Click the image to download the PDF)

In the first measure of this example, the first G bass and G chord on would be played on the push along with the push G on the treble side. The second G chord played would be on the draw G chord button along with the draw B on the C row of the treble side. On many instruments, those two G chords would be played on different buttons on the bass side.

Here's another color-coded example, this one the O'Carolan waltz "Fanny Power" (3rds out of chords):

Click here to download the color-coded PDF of "Fanny Power"

Click here to download a black and white PDF version of "Fanny Power" with text Push/Draw instructions

The bellows direction color coding is not present in the transcriptions below, instead the bass or chord button name is shown above the notes along with the bellows direction (Push or Draw).

Going through these transcriptions will provide a starting point exercise for finding the combination of treble button and bass button for either the push or draw. In particular they should be helpful in those cases where there may be some ambiguity because of the "magic" notes such as B and E as well as the G and D bass/chords that are available in both directions on the most common 8-button bass layouts.

In general, the arrangements should work on most common 8-button B/C bass layouts that include both push and draw G and D, only push C and E, and only draw A and F bass and chords. A couple are arranged for extended 12-bass button layouts that also include a draw E and push B, which are very useful on E Dorian tunes.



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Bass/Chord Transcriptions Tunebook

Latest version 11 September 2021

Now includes the bellows direction for every chord in every tune!

Download for free!

Click here to download my free PDF book with all 52 transcriptions!



If you find them useful, please consider making a small donation ($10 suggested) via the online tip jars above.

Tunes with full bass/chord annotation included in the tunebook:

Alexander's (hornpipe)

The Banshee (reel)

The Boys of Bluehill (hornpipe)

The Cameronian (reel)

The Cat Rambles to the Child's Saucepan (slide)

The Chaffpool Post (barndance)

Cock 'O The North (slide)

Cooley's (reel)

Cronin's (reel)

Donnybrook Fair (jig)

Dunphy's (hornpipe)

Fanny Power (O'Carolan) (waltz)

The Factory Smoke (hornpipe)

The Flowers of Spring (jig)

Forde's (polka)

Going to the Well for Water (slide)

The Green Fields of Rossbeigh (reel)

The Humours of Castlecomer (jig)

If I Had a Wife (slide)

Jerry's Beaver Hat (jig)

John Kelly's Concertina (reel)

John Ryan's (polka)

The Kesh (jig)

The Knocknaboul (polka)

The Lark in the Morning (jig)

Lucy Farr's (barndance)

The Maid Behind the Bar (reel)

The Maid of Mt. Kisco (reel)

The Mason's Apron (reel)

Mayor Harrison's Fedora (reel)

Memories of Ballymote (polka)

Merrily Kissed the Quaker's Wife (slide)

The Merry Blacksmith (reel)

Music in the Glen (reel)

One Seventy Four (O'Carolan) (jig)

Out on the Ocean (jig)

Over the Moor to Maggie (reel)

Paddy Cronin's (slide)

The Pleasures of Hope (hornpipe)

Rakish Paddy (reel)

The Rambling Pitchfork (jig)

The Scholar (reel)

Sherlock's (hornpipe)

Sí Beag Sí Mór (O'Carolan) (waltz)

The Silver Spear (reel)

Sonny Brogan's (mazurka)

Speed the Plough (reel)

Spellan the Fiddler (hornpipe)

The Tailors Twist (hornpipe)

The Thames (hornpipe)

The Wicklow (hornpipe)


Free Hornpipe Practice Backing Tracks

Using my ancient copy of "Band-in-a-Box 2008", I've put together simple
stride-piano backing tracks for practicing several common hornpipes:

Click here to download an example .MP3 backing track - Alexander's (hornpipe)

Notation for Alexander's (hornpipe) (PDF)

Click here to preview my Hornpipe Practice Backing Tracks that includes all of the tunes listed below

Includes the PDF notation and audio backing track in .MP3 format for each tune.

Alexander's

The Boys of Bluehill

The Factory Smoke (Em) / The Independence - 2x each

Horse Keane's

The Pleasures of Hope

Sherlock's

Smell of the Bog

The Tailor's Twist

The Thames

The Wicklow


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Transcription Tutorial


Click here for a tutorial on how I create these
PDF transcriptions using free tools on the web


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